Sunset Boulevard (film) - Wikipedia. Sunset Boulevard (stylized onscreen as SUNSET BLVD.) is a 1. American film noir. It was named after the boulevard that runs through Los Angeles and Beverly Hills, California. The film stars William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, a faded silent film star who draws him into her fantasy world where she dreams of making a triumphant return to the screen, with Erich von Stroheim as Max Von Mayerling, her devoted servant. Nancy Olson, Fred Clark, Lloyd Gough and Jack Webb play supporting roles. De. Mille and gossip columnist. Hedda Hopper play themselves, and the film includes cameo appearances by leading silent film actors Buster Keaton, H. Nilsson. Praised by many critics when first released, Sunset Boulevard was nominated for eleven Academy Awards (including nominations in all four acting categories) and won three. Library of Congress in 1. Sunset Boulevard was included in the first group of films selected for preservation in the National Film Registry. In 1. 99. 8, it was ranked number twelve on the American Film Institute's list of the 1. American films of the 2. Anniversary list. At a Sunset Boulevard mansion, the body of Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death. Six months earlier, down- on- his- luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Later, while fleeing from repossession men seeking his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as long- forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the role herself in a comeback. Joe finds her script abysmal, but flatters her into hiring him as a script doctor. Moved into Norma's mansion at her insistence, Joe resents but gradually accepts his dependent situation. He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max, who tells him Norma is subject to depression and has made suicide attempts. Norma lavishes attention on Joe and buys him expensive clothes. Mix now available on: Beatport: http:// Soundcloud: https://soundcloud.com/kai-lie/falling-star. Falling Hare is a Merrie Melodies cartoon produced by Leon Schlesinger, directed by Robert Clampett, and animated by Rod Scribner. The WB logo is slightly changed. Falling star or shooting star is the common name for the visible path of a meteoroid as it enters the atmosphere to become a meteor. If a falling star survives impact. Take a musical stroll down Memory Lane as you wander through the pages of this Hand County South Dakota site. The special times of our lives are recalled by the songs. Falling In Reverse’s Ronnie Radke Sues Sexual Assault Accuser for Defamation. From the 'it seemed like a good idea at the time' department: the troubled history of the 1971-1977 Chevrolet Vega and short-lived Cosworth Vega.At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him. He tries to let her down gently, but she slaps him and retreats to her room. Joe visits his friend Artie Green to ask about staying at his place. At Artie's party, he again meets Betty, who he learns is Artie's girl. Betty thinks a scene in one of Joe's scripts has potential, but Joe is uninterested. When Joe phones Max to have him pack his things, Max tells him Norma cut her wrists with his razor. Joe returns to Norma. Norma has Max deliver the edited Salome script to her former director, Cecil B. De. Mille, at Paramount. She starts getting calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except De. Mille. Eventually, she has Max drive her and Joe to Paramount in her 1. Isotta Fraschini. De. Mille receives her affectionately and treats her with great respect, tactfully evading her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film. Preparing for her imagined comeback, Norma undergoes rigorous beauty treatments. Joe secretly works nights at Betty's Paramount office, collaborating on an original screenplay. His moonlighting is found out by Max, who reveals that he was once a respected film director. He discovered Norma as a teenage girl, made her a star and was her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant. 1950 LIFE Magazines For Sale 1950 LIFE Magazine Covers . Interested in LOOK magazines from 1950? QUESTION: Why is the U.S. Dollar falling drastically? Incessant inflation caused by excessive creation of money out of thin air. Directed by Pat Jackson. With Ann Sothern, Zachary Scott, Gigi Perreau, Nancy Reagan. A woman kills her beautiful sister in a rage after finding out she has an affair. Although Betty is engaged to Artie, she and Joe fall in love. Norma discovers a manuscript with Joe's and Betty's names on it. She phones Betty and insinuates what sort of man Joe really is. Joe, overhearing, invites Betty to come see for herself. When she arrives, he pretends he is satisfied being a kept man, but after she tearfully leaves, he packs to return to his old Ohio newspaper job. He disregards Norma's threat to kill herself and the gun she shows him to back it up. He bluntly tells her the public has forgotten her, there will be no comeback, and the fan letters are from Max. As Joe walks away, Norma shoots him three times. He falls into the pool. The flashback ends. The house is filled with police and reporters. Norma, having lost touch with reality, believes the newsreel cameras are there to film Salome. Max and the police play along. Max sets up a scene for her and calls . She pauses and makes an impromptu speech about how happy she is to be making a film again, ending with: . De. Mille, I'm ready for my close- up. The film workers lived modestly in the growing neighborhood, but during the 1. With the advent of the star system, luxurious homes noted for their often incongruous grandeur were built in the area. As a young man living in Berlin in the 1. Billy Wilder was interested in American culture, with much of his interest fueled by the country's films. In the late 1. 94. Hollywood houses remained, and Wilder, then a Los Angeles resident, found them to be a part of his everyday world. Many former stars from the silent era still lived in them, although most were no longer involved in the film business. Wilder wondered how they spent their time now that . It is usually regarded as a fictional composite inspired by several different people, not just a thinly disguised portrait of one in particular. Nevertheless some commentators have tried to identify specific models. One asserts that Norma Talmadge is . Marshman Jr., formerly a writer for Life, was hired to help develop the storyline after Wilder and Brackett were impressed by a critique he provided of their film The Emperor Waltz (1. In an effort to keep the full details of the story from Paramount Pictures and avoid the restrictive censorship of the Breen Code, they submitted the script a few pages at a time. The Breen Office insisted certain lines be rewritten, such as Gillis's . Only the first third of the script was written when filming began in early May 1. Wilder was unsure how the film would end. He sums up his film- writing career with the remark: . You'd never know, because when it reached the screen, the whole thing played on a torpedo boat. This year I'm trying to make a living. There are no belly laughs here, but there are certainly strangled giggles: at the pet chimp's midnight funeral, at Joe's discomfited acquiescence to the role of gigolo; at Norma's Mack Sennett- style . De. Mille, I'm ready for my close- up. Much of the film's wit is delivered through Norma Desmond's deadpan comments, which are often followed by sarcastic retorts from Gillis. Desmond appears to not hear some of these comments, as she is absorbed by her own thoughts and in denial, and so some of Gillis's lines are heard only by the audience, with Wilder blurring the line between the events and Gillis's narration. Gillis's response to Desmond's cry that . Wilder often varies the structure, with Desmond taking Gillis's comments seriously and replying in kind. For example, when the two discuss the overwrought script Desmond has been working on, Gillis observes, . He remarks that the story is narrated by a dead man whom Norma Desmond first mistakes for an undertaker, while most of the film takes place . He compares Von Stroheim's character Max with the concealed Erik, the eponymous central character in The Phantom of the Opera, and Norma Desmond with Dracula, noting that, as she seduces Joe Gillis, the camera tactfully withdraws with . He writes that the narrative contains an excess of . When asked if Sunset Boulevard was a black comedy, he replied: . Griffith, Rudolph Valentino, Douglas Fairbanks, John Gilbert, Tyrone Power, Alan Ladd, William Demarest, Adolphe Menjou, Rod La Rocque, Vilma B. Norma Desmond declares admiration for Greta Garbo. Wilder, however, had a different recollection. He recalled first wanting Mae West and Marlon Brando for the leads, but never approached either with an offer. He contacted Pola Negri by telephone, but had a difficult time understanding her heavy Polish accent. They also asked Norma Shearer if she would portray Norma Desmond, but she rejected the role due to both her retirement and distaste for it. They were considering Fred Mac. Murray to play opposite her as Joe. The filmmakers approached Greta Garbo, but she expressed no interest. Wilder and Brackett then visited Mary Pickford, but before even discussing the plot with her, Wilder realized she would consider a role involving an affair with a man half her age an insult, so they departed. They had considered pairing Montgomery Clift with her. At the peak of her career in 1. Sunset Boulevard in an elaborate Italianate palace. In many ways she resembled the Norma Desmond character and, like her, had been unable to make a smooth transition into talking pictures. The similarities ended there. Swanson accepted the end of her film career and in the early 1. New York City, where she worked in radio and, from the mid- 1. New York stage. Though Swanson was not seeking a comeback, she was intrigued when Wilder discussed the role with her. Why do they want me to audition? He replied that since Norma Desmond was the role for which she would be remembered, . An infuriated Wilder responded, . Following an appearance in Our Town (1. World War II, and his return to the screen afterward had been moderately successful. He was enthusiastic about the script and eager to accept the role. He did not know that his salary was $3. Your Onestop Moe Download Store! Orc Castle(download)The gameplayaspect isincredibly fun,and the scenesare prettygreat. I 'd paya lot more fora substantially..
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